Stefen fangmeier

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Stephen Rosenbaum

Sign In. Down 1, this week. Visual Effects Director Writer. Filmography by Job Trailers and Videos. Share this page:. Projects In Development The Maroons. Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen?

How much of Stefen Fangmeier's work have you seen? User Polls Favorite movie s adapted from Young Adult books? Nominated for 3 Oscars. Known For. The Perfect Storm Visual Effects. Jurassic Park Visual Effects. Master and Commander: Cinematic Phasmids Self. Eragon Director. Probability visual effects consultant pre-production. Game of Thrones TV Series visual effects supervisor - 11 episodes, - additional visual effects supervisor - 10 episodes, - - The Iron Throne Show all 21 episodes.

Space Racer pre-production. Show all 13 episodes. Self - Visual Effects Supervisor.In the Warner Bros. Although full of large scale practical effects, Twister would simply not have been possible without its photorealistic titular characters — the tornados. And these were expertly crafted in computer graphics by the team at ILM, still fresh from the CG milestones achieved on films like Terminator 2 and Jurassic Park. Leading the team was Stefen Fangmeier in his first sole outing as visual effects supervisor.

Ultimately all the debris was CG and it had this very hand-held feel which was important to Jan and Steven to represent how people might shoot a real tornado in that situation. It helped, too, that Fangmeier had tinkered with the tech behind synthetic twisters in a previous job.

stefen fangmeier

Some were scientists in meteorology and they were trying to simulate how tornados were formed. So in I did some visualizations for these tornado chasers — they were very simplistic shapes, but we computed them in a 3D volume and showed the tornado forming. Then eight years later I was helping do it for the movie.

If there had been any hope that real tornados might be featured in the film, that was quickly dispelled during principal photography when the filmmakers tried to chase actual twisters, with no luck. That meant ILM had to make major in-roads into effects systems that would help bring the tornados to life — at the time still an extremely difficult proposition to control and render realistically.

Also, up until that point ILM had mastered creatures and hard surfaced CG objects, not the particulate nature of a twister. Even though ILM was pushing for absolutely photoreal tornados, Fangmeier knew that whatever they produced in CG with a particle system could still only be an approximation. In a tornado there would be an uncountable number of particles in a volume that the computer would not have the resource to simulate.

So we had to make it look like the kind of level of detail that was in a tornado. To work out that level of detail, ILM gathered reference, which, unfortunately, was generally poor quality. No one had been out there with a 35mm camera being able to capture a tornado. The basic shape of a tornado ranged from between 5 and 10 million particles. Animators would actually first choreograph the general movement of the tornado with what was effectively a hollow funnel that could be twisted and turned, but then with so much dirt and debris and destruction to co-ordinate, that part of the effects had to remain a simulation.

Still, Fangmeier needed a level of control — it was a fantasy movie after all and the twisters were art directed to be overly menacing. The twisters, of course, wreak a whole lot of havoc. From lifting cars to whole petrol tankers and smashing through barns, the particle effects simulations ILM had developed would also have to interact with solid elements and disintegrate them.

Initial talk of building some of these elements as miniatures was quickly dismissed by Fangmeier. So we decided early to build all these objects in CG and have them properly interact with lighting and being matted against the tornado so it would disappear or re-appear. The debris was a complex mass of particle simulations and hand-animated pieces, sometimes in the order of 10 to 20 thousand-fold.

Animators actually had fine control of hero pieces of say a barn that was to be ripped apart — itself a structure of about pieces that would then be released into the forces of the tornado.

Well, that lasted about two days because he blew so much debris into these scenes that the actors quickly got eye infections! So we were going to add a lot of that debris in CG in post. I let him shoot it as naturally as he could and our incredible compositors did a pretty great job of integrating everything.

There were limits, though. At one point the camera department fitted out the film cameras with specialized shakers, essentially drills, that would make it appear as if a lot of wind was impacting on them. If you do this here the matchmove is already tough enough that it will be even more challenging.

He stopped using them after that.

Stefen Fangmeier

Indeed, Fangmeier was perhaps more up front with De Bont than other filmmakers had been able to achieve.Stefen Markus Fangmeier, 59 years old, lives in Larkspur, California. His work experience includes positions as Twister. Stefen is related to Carla Fangmeier. Stefen Fangmeier. We Found Stefen Fangmeier. Stefen Fangmeier - Fangmeier. Stefen Fangmeier - profile. Stefen Fangmeier Likes - likes.

Stefen Fangmeier Photos - photos. Stefen Fangmeier Profiles - search. Stefen Fangmeier Photos - Fangmeier. Steven Fangmeyer - cowboy4life. Steven Fangmeyer - May 27, May 16, In a mythical time, a teenage boy becomes a dragon rider with the help of a wise old man, and with his newly-hatched Eragon Director Stefen Fangmeier interview. Add a comment In his circles.

Stefen is a masculine given name. Notable people with the name include: Stefen Fangmeier bornAmerican director; Stefen …. Stefen Fangmeier dia talen-koronantsary mizaka ny zom-pirenen'i Etazonia teraka ny 9 Desambra tao El Paso, Texas. Jereo koa. Ao amin'i Search by Name Please enter a First Name.

Please enter a Last Name. Search Tools. Country USA. Stefen M. Fangmeier 59 yrs. Fangmeier 58 yrs. Sponsored by BeenVerified.

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Sponsored by PeopleLooker. Email Addresses. Social Profiles. Stefen Stefen is a masculine given name. Photo Albums. Web Search. By continuing to use our site, you consent to the placement of cookies on your browser and agree to the terms of our Privacy Policy. Learn more I agree.God: Drastic Output In the temple of your heart lives the wisdom. Endurance is the key to the gate into the sanctuary of your inner knowledge. Stefen Fangmeier's universal energy is Weakening.

Stefen Fangmeier is kind-hearted and charming but also goal-oriented and ambitious. Full of energy, he puts into reality what he intends to and that sometimes regardless of the consequences. A sense of tact is not necessarily one of Stefen Fangmeier's best features. Thereby, he absolutely has ideals.

One of them is the fulfilment of obligations. Therefore, you should not criticise him too often and also withhold good advice.

He knows everything better anyway.

stefen fangmeier

Intuitive, empathic and extremely cordial is Stefen Fangmeier once he trusts someone. For that, he needs a bit of time because Stefen Fangmeier is a bit shy and tends to close up at the first encounter. But once he thaws, his helpfulness does not know any limits. Despite his shyness and his inhibition to approach others, Stefen Fangmeier is a notable person of action. However, before he tackles anything, he carefully checks all aspects of a matter. Odd and unrealistic ambitions he does not know.

As a pronounced family person, the homely happiness is most crucial to him whereas the career comes only second. Stefen Fangmeier conveys information and can be focused, emotional, intuitive and friendly when following his goals. He is protective, beautiful, seductive, humble and patient and always wants to look good and make a good impression. Stefen Fangmeier is interested in literature, the arts, music and group activities as well as a harmonic family atmosphere.

He is an excellent cook, individual and wants to realise him. An inner voice is the motivation for everything no matter whether right or wrong. If problems arise, Stefen Fangmeier listens to his inner voice to find an answer to his questions. Sensitive feelings are not shown. Stefen Fangmeier can be successful in many professions and is able to motivate others and lead them to success.

Many things are started with much euphoria, but he is not able to finish everything. Stefen Fangmeier is apt to be just and true but also to be sad, mournful and yearning and if hit by destiny, he is deeply moved.Hanh Nguyen.

‘We got cows’

IndieWire spoke with VFX supervisor Stefen Fangmeier about the stunt sequence that was shot without cuts until he jumps by using a large crane to follow all the chaos. Arya gets to do it all. Then he gets back up and he runs up the deck, but the bolt hits there, and the guy falls off the stairs. Remember when all the wights fell into the broken ice? They were actually falling into a tank, which was supposed to be the lake below them.

We assembled one of those and then built a tower of the height that was maybe 12 feet. To provide the right amount of drama, the camera had to be close enough to Dinklage to capture his reaction, and yet far enough to follow the action all the way down to the water.

The timing and framing for this was far trickier to manage than they initially thought. We did that six, seven times with the stunt double and it was always very difficult to keep him in frame.

Eventually the team decided to just try the shot with Dinklage in it — even though that could potentially take more time in the long run. We got it in one take. And then his wife and child showed up with a birthday cake, and it was really sweet.

ET on HBO.

‘Game of Thrones’: The Logistics Behind That Brutal Dragon Shot, Explained

Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. You will be redirected back to your article in seconds. Back to IndieWire. Hanh Nguyen May 8, am.Stephen Rosenbaum is an American visual effects artist and supervisor, and has worked for more than 25 years on numerous movie and commercial productions, including six that have won Academy Awards.

Rosenbaum was raised in West Los Angeles and graduated from Palisades Charter High School where he met and eventually married his high school sweetheart. He graduated from University of California, Berkeleyand remains a Bay Area, California resident along with his wife and their two girls.

The previous members of this department moved to the building next door and formed the company Pixar. This new group of artists received their first chance to make a computer generated character when James Cameron asked them to create the Pseudopod water creature for The Abyss.

Cameron followed with Terminator 2 and the group expanded the artist base and created one of the first digital manipulations of a human character. The artists continued to thrive with opportunities to animate and render the seminal dinosaurs in Jurassic Park.

Rosenbaum then oversaw the removal of Lt. Dan's legs, rephrasing the words of presidents, and the fanciful feather animation in Forrest Gump. These movies help spark the rapid transition of traditional film-processed visual effects and inspired a complete paradigm shift in visual effects and filmmaking methodologies [5] and commercial digital imagery manipulation.

Rosenbaum spent several years working on various projects at Weta Digitaland inhe began work on Avatar. For two years, Rosenbaum worked with Cameron in Los Angeles during performance capture and in New Zealand during live action photography. InRosenbaum was hired [7] by Digital Domain to start a character animation development group. He brought together some of the best computer graphics artists and technicians, and they built a modernized approach to creating physically and behaviorally realistic digital humans and creatures.

InRosenbaum directed the creation of a virtual Michael Jackson posthumously performing a previously unreleased song live at Billboard Music Awards. From Wikipedia, the free encyclopedia. American film visual effects supervisor. This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediatelyespecially if potentially libelous or harmful.

Handbook of Computer Animation.The largest loss of firefighters in the last 20 years was about 36 in 1994. Hunt reported that the funds for the 2012-2013 fiscal year for fuel reduction treatments has been cut by about 20 percent.

Other documents at the forum show that there are a total of 46 million homes that are in the potential line of fire in what is called the wildland-urban interface (WUI).

The average number of structures lost in wildfires has increased rapidly since the 1990s. The years 2003, 2007 and 2011 had the most structures lost across the country at 5,781, 4,900, and 5,850 respectively. Along with the rise in fires and structures lost are the costs associated with fighting fires, in direct correlation.

The rest of the forum was spent on Community Wildfire Protection Plans, funding for plans, WUI fire codes, the Firewise USA program, and the Ready, Set, Go program.

All of these programs are efforts started by federal, state and local governments and local private communities to educate property owners on their responsibilities to make sure their property is fire safe.

Most forest area fire departments and communities have one or more of the above programs and will help property owners assess their risks. That includes, in some cases, funding to help with thinning treatments.

Insurance companies are also working with clients. Log InKeep it Clean.

stefen fangmeier

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